Browsing: Opera

New York, NY (October 9, 2023) —The Metropolitan Opera opens its 2023–24 Live in HD season with Jake Heggie’s masterpiece Dead Man Walking on Saturday, October 21, at 12:55PM ET—the first of three works from recent years to be presented live in cinemas this season. Based on Sister Helen Prejean’s memoir, which also inspired the 1995 Oscar-winning film, the story follows Sister Helen’s fight for the soul of a condemned murderer on death row. With a libretto by the late Tony and Emmy Award winner Terrence McNally, Dead Man Walking is the most widely performed new opera of the last…

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Even nearly 100 years since Puccini’s death. La Bohème remains one of his most beloved and frequently performed operas. This COC revival production has now been staged three times in the past 10 years, yet it has a fresh feel. It also features the most diverse cast that has graced the Toronto stage in recent memory. Rodolfo, Marcello, Schaunard and Colline are four impoverished friends who share a flat they can barely afford. One Christmas eve, while Rodolfo is working alone, his neighbour, the beautiful but frail Mimi, knocks on his door asking for help to light her candle. The…

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In September 2022, City Opera Vancouver broke new ground with the world première of Chinatown. The commission remains one of the only operas in existence to be sung in Hoisan, a Chinese dialect, and the first opera to be written about one of Canada’s many Chinatown districts. Now, one year later, Chinatown is set to reach a wider audience with the release of its original cast recording, on Halifax-based record label Leaf Music. Chinatown is the fourth commission by City Opera Vancouver in its 17-year history. The company is committed to the creation of purposeful works that showcase Canadian themes…

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This section is an advertising supplement. To announce here, contact [email protected]. Etiquette Maureen Batt and Erin Bardua, soprano; Lucy Hayes Davis, mezzo-soprano; Tara Scott, piano; Brad Reid, clarinet  Leaf Music, September 2023 Etiquette by composer Monica Pearce, with libretto by John Terauds, offers a glimpse of 1920s icons by diving into the lives of Dorothy Parker, Emily Post, and Nancy Astor. Inspired by Parker’s sharp critique of Post’s “Etiquette” from 1927, the opera offers a window into their era. Commissioned by Essential Opera in 2013, this première recording blends traditional themes, echoing the timeless practice of revisiting history to shed…

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When Montreal-based composer Jaap Nico Hamburger first read Dutch author Ariëlla Kornmehl’s debut novel De Familie Goldwasser (The Goldwasser Family) in the early aughts, he thought to himself, “this is opera.” Now, many years after that initial inspiration and over a decade since he began composing, he is finally seeing his vision come to life. On Oct. 22 (Koerner Hall), Oct. 28 (Maison symphonique), and Oct. 29 (Salle Raoul-Jobin), GFN Productions will present excerpts from Hamburger’s first opera Ariella, paired with Rachmaninoff’s Piano Concerto No. 2. The tour will be conducted by Francis Choinière and features the Ensemble Classico-Moderne and…

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If you asked a younger Ian Sabourin what he wanted to be when he grew up, the countertenor and 2023 Atelier Lyrique Stingray Star Prize winner would not have answered “famous opera singer,” but rather “rock star.” Indeed, Sabourin’s love for music was ignited in two places: the Ottawa Choir of Men and Boys rehearsal hall, and at a Green Day concert he attended at age 8. These opposite genres remained a part of Sabourin’s life until university, at which point he made the decision to focus solely on classical singing. His choice to enter the Atelier competition was somewhat…

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Soprano Carole-Anne Roussel is forging a path that diverges from the mainstream model. She notes that perhaps it was this kind of “bold move,” here in the context of repertoire choices, that made her stand out in the Queen Elisabeth Competition. One of two Canadian laureates, Roussel says she was “proud of the choice to go against the grain” and sing a less popular soprano repertoire, including works by Menotti, Beach, Poulenc, and an aria from Stravinsky’s The Rake’s Progress. Outside of her unique repertoire selections, Roussel aspires to be a relevant, useful musician. She believes strongly in the power…

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Author : (Eva Stone-Barney)

Although Davóne Tines may have “tumbled his way into the opera world” somewhat accidentally, his artistic output has been deliberate ever since. As a young person, he says, he didn’t know where he would end up. Tines completed undergraduate studies in sociology at Harvard University, and worked at a series of arts organizations as an administrator, before considering the prospect of life as a professional musician. Tines grew up singing – in the Black Baptist church, growing up in Virginia; at college, in a Renaissance polyphony ensemble; in the professional choir at the National Shrine in DC; and in a…

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The Canadian Opera Company opened its 2023-24 season with a rare gem. Fidelio is the only opera Beethoven ever wrote, and it has not been performed by the COC in almost 15 years. Leonore hatches a plan to rescue her husband Florestan, who has been wrongfully incarcerated for trying to expose the wrongdoings of Don Pizzaro, governor of the prison. She disguises herself as a man by the name of Fidelio, to work at the prison where her husband is held. She saves him just in the nick of time, as Don Pizzaro is about the silence Florestan for good…

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Toronto, September 29 – The Canadian Opera Company (COC) and National Arts Centre (NAC) have officially co-commissioned Empire of Wild, an imaginative and enthralling new mainstage opera from composer Ian Cusson and librettist Cherie Dimaline that centres the Georgian Bay Métis community at the heart of its story. “I am thrilled to be partnering with the National Arts Centre in the creation of this important, contemporary opera,” says COC General Director Perryn Leech. “Empire of Wild embodies years of community-rooted work that the Canadian Opera Company has been doing through regular discourse with its Circle of Artists, and marks a tangible…

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