Browsing: Art Song

Competition will honor both Aria and Art Song Toronto, November 10, 2016 – The Concours musical international de Montréal (CMIM) announces at the IAMA Toronto 2016 conference (International Artists’ Managers Association) its new positioning for future voice editions. Starting in 2018, the vocal competition will feature two divisions: Aria and Art Song. Eligible candidates will be able to compete in either or both divisions. The same amount of prizes, grants, and awards will be assigned to both divisions, resulting in a record amount of more than a quarter million Canadian dollars to be awarded to prizewinners. The next Voice competition…

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It is so rare to hear the Gurre Lieder live that most of us are acquainted with it only on record – in memorable interpretations by Rafael Kubelik, Pierre Boulez, Riccardo Chailly, Claudio Abbado and others. The work employs a vast orchestra and chorus for an unbroken duration of ninety minutes, much of which occupies a zone of uncertainty as to whether what we are hearing is ancient or modern. Schoenberg began composing the cycle in Wagnerian modalities in 1900, abandoned it three years later, finished it in 1911 as a provocative atonalist, and achieved the greatest triumph of his…

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La Scena Musicale is celebrating the Art Song with the worldwide survey, What is your favourite art song? Submit your vote at www.nextgreatartsong.com. Conductor Sergio Barza shares his three choices below. 3. Schubert – Gretchen am Spinnrade “My peace is gone, My heart is heavy, I will find it never and never more. Where I do not have him, That is the grave, The whole world Is bitter to me. My poor head Is crazy to me, My poor mind Is torn apart. My peace is gone, My heart is heavy, I will find it never and never more. For him only, I look Out the…

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OPERA REVIEW AND COMPANY PROFILE:  dell’Arte Opera Ensemble’s “Violetta & Her Sisters”: “Scenes from the Demi-Monde” (August 23, 2016) Massenet’s Manon (August 24, 2016) Verdi’s La traviata (August 25, 2016) “Chansons de Baudelaire” (August 27, 2016) Libiamo! Autumn ought not arrive without our noting that New York City enjoyed a mini-“Summer of the Courtesan.” For two weeks in August (the 13th through the 28th), one could join in a bittersweet brindisi, tip a glass to free-spirited pleasure, and shed a tear for loveliness cut down too young. The program was “Violetta & Her Sisters,” and it was the fruit of…

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Premiere of a large-scale work for orchestra, choir and tenor, in addition to compositions by Mahler, Bernstein and Wlad Marhulets Kent Nagano, 4 soloists and the OSM Chorus Montréal, September 16, 2016 – Maestro Kent Nagano is conducting the Orchestre symphonique de Montréal on Wednesday, October 19 at 8 p.m. atMaison symphonique de Montréal in a concert presenting a reflection on tradition, identity and on the universal character of music. Four wonderful soloists – tenor Frédéric Antoun, pianist Serhiy Salov, clarinetist André Moisan and soprano Sharon Azrieli Perez – and the OSM Chorus will join forces with the Orchestra on…

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Opera Montreal’s opera season begins with the Opéra de Montréal’s Aida on September 17. Running until the 24, the show features Kamen Chanev (Radames), Olesya Petrova (Amneris), Gregory Dahl (Amonasro), Phillipe Ens (Ramfis), Anatoli Sivko (The King of Egypt), with Russian soprano Anna Markarova in the title role. Paul Nadler conducts. The November production of Mozart’s Don Giovanni features the return of Canadian bass-baritone Gordon Bintner to the Opéra de Montréal stage as the philandering anti-hero. Includes an all-Canadian cast of Daniel Okulitch (Leporello), Emily Dorn (Donna Anna), Jean-Michel Richer (Don Ottavio), Layla Claire (Donna Elvira), as well as up-and-coming…

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His final work for strings, Schubert’s Quintet in C Major (1828) is unusual for its doubling of the cello voice rather than the viola, Mozart’s quintet model. With unmatched lyricism and finesse, Quatuor Ebène tackles this behemoth of Romantic chamber repertoire, which was only completed two months before the composer’s untimely death. Gautier Capuçon makes a fine fifth wheel, adding a dark intensity without disrupting the balance of the upper strings. This is perhaps the most evident in the exquisite second movement, Adagio, a nocturne that is so unusually slow for Schubert, and given a keenly sensitive treatment by Quatuor…

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CONCERTS: Puccini “Beyond Verismo” at Bard SummerScape 2016 OPERA: Tosca at Opera North Puccini qua, Puccini là! Arguably the most popular and successful opera composer in history has been enjoying his typical ubiquity this summer, as a single weekend’s sampling around the Northeast United States will demonstrate. Friday, August 12 saw the closing performance of the maestro’s Tosca as rendered by Opera North (Lebanon, New Hampshire) in a taut, handsome production. And at Bard College’s final weekend of SummerScape 2016 (Dutchess County, New York), three full days of programming (August 12 through 14) were dedicated to winding up an exploration of…

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It’s always a good sign when a pianist is named as the editorial force behind a lieder recital, giving the enterprise both objective distance and intellectual rigour. Graham Johnson’s Schubert cycle on Hyperion is a benchmark of this rule, each singer chosen to reflect the character of the group of songs performed. Now the vastly knowledgeable Iain Burnside has begun a similar odyssey on the exquisite Scottish label, Delphian. I must have somehow missed the first volume with soprano Ailish Tynan, but the second is a cracker. The Welsh baritone Roderick Williams, winner of this year’s Royal Philharmonic Society award,…

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+ Jazz pianist Dan Tepfer will perform the Goldberg Variations with his own variations as part of the Cleveland International Piano Competition and Festival on July 31. + The National Ballet is taking on Shakespeare’s The Winter’s Tale for the first time in 26 years. + The most famous Finnish composer since Sibelius, Einojuhani Rautavaara, has died at the age of 87. + 13-year old boy soprano Aksel Rykkvin has released an album of arias by Mozart, Handel and Bach, with the Orchestra of the Age of Enlightenment under conductor Nigel Short. + Read a review of the first round of…

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