Browsing: Violin

Ewald Cheung et Philip Chiu Cette semaine, La Scena Musicale en collaboration avec Espace 21 offre à ses abonnés un enregistrement d’oeuvres de Brahms par Ewald Cheung (violon) et Philip Chiu (piano). Les deux artistes s’impliquent beaucoup sur la scène musicale actuelle et dans leurs champs respectifs. Le violoniste Ewald Cheung est l’un des membres fondateurs du groupe de musique Geistrio et du Quatuor à cordes Roddick. De son côté, le pianiste Philip Chiu est le fondateur et le directeur du programme de piano d’accompagnement du Domaine Forget. Ils ont enregistré les trois sonates pour violon et piano de Johannes Brahms,…

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Ewald Cheung and Philip ChiuThis week, La Scena Musicale, in collaboration with Espace 21, offers you a recording of Brahms’ work done by Canadians Ewald Cheung (violin) and Philip Chiu (piano) for our Discovery CD. Both artists are involved in the musical scene and in their respective fields. Ewald Cheung is one of the founders of the music groups Geistrio and the Roddick String Quartet. As for Philip Chiu, he’s the founder and director of the Domaine Forget Collaborative Piano Program.You can download the first track here : Track 1Back in 2012, one of our writers, L. H. Tiffany Hsieh,…

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by Paul E. RobinsonLiszt: Les PréludesKorngold: Violin ConcertoDvořák: Symphony No. 7 in d Minor Op. 70Gil Shaham, violinAustin Symphony/Peter BayLong Center for the Performing ArtsAustin, TexasWhen the still boyish Gil Shaham comes bounding on stage, violin in hand, with a huge smile on his face, you know you are in for a special kind of music-making. Shaham, now 43, still seems the charming prodigy he was when he first came to international attention. Before playing so much as a note, he has the audience in the palm of his hand. This is clearly a young man who loves music and…

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Great violinists can make music out of practically any instrument. But it certainly helps if that instrument is a Strad or a Guarneri, or something comparable rather than a cigar box.Anne Akiko Meyers has been in the news lately for acquiring a violin reportedly worth $18 million: the 1741 “Vieuxtemps” Guarneri del Gesu. Not that she really needs a better instrument. She already owns two Strads. In 2012 she made a recording of the Bach Concerto for Two Violins and played both parts herself. She played the first solo part using her 1697 “ex-Molitor/Napoleon” Strad and the second part using…

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by Paul E. RobinsonMaestro Giancarlo Guerrero and members of the Cleveland OrchestraDvořák: Carnival Overture Op. 92Kreisler: Praeludium and AllegroRennosuke Fukuda, violin (1st Prize Winner, Junior Section)Prokofiev: Violin Concerto No. 2 in g minor Op. 63 (1st movement)Stephen Waarts, violin (1st Prize Winner, Senior Section)Ravel: TziganeArabella Steinbacher, violin (Menuhin Competition Jury Member)Tchaikovsky: Symphony No. 5 in e minor Op. 64The Cleveland OrchestraGiancarlo Guerrero, conductorLong Center for the Performing ArtsAustin, TXSunday, March 2, 2014It is not often that the city of Austin sees one of the “Big Five” orchestras; to conclude the Menuhin Competition Austin 2014, the organizers brought in the Cleveland…

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by Paul E. Robinson Mozart: Sonata for Piano and Violin in G major K. 301Kreisler: La Gitane/Londonderry Air/Tambourin ChinoisJoji Hattori, violin/Gordon Back, pianoPiazzola: Historie du Tango and Café Joji Hattori, violin/Adam Holzman, guitarGang Chen: Sunshine in TasikuerganSaint-Saëns: Sonata for Violin and Piano Op. 75Lu Siqing, violin/Anton Nel, pianoBates Recital Hall/Butler School of MusicUniversity of TexasAustin, TexasMonday, February 24, 2014One of the many benefits of having a major music competition in town is the opportunity to hear performances by some of the jury members. In the case of the Menuhin Competition Austin 2014, these included Joji Hattori and Lu Siqing, surely two…

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For the first time ever the Menuhin Violin Competition is being held this year in the United States. The current competition began last Friday in Austin, Texas and continues until Sunday, March 2. Forty-two young violinists from all over the world are competing for prizes and a chance to appear with the Cleveland Orchestra in the closing gala concert. I’ll be blogging from the competition every few days. The first blog about the opening concert has already been posted on the LSM website.Yehudi Menuhin (1916- 1999 ) was one of the great violinists of his time. At the age of eleven he…

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by Paul E. RobinsonBerlioz: Roman Carnival OvertureMendelssohn: Concerto for Piano and Violin in d minorIlya Gringolts, violin/Anton Nel, pianoWaxman: Carmen FantasyKevin Zhu, violinSchwantner: Someday MemoriesDutilleux: Sur le même accordOlivier Charlier, violinStravinsky: Firebird Suite (1919)The University of Texas (UT) Symphony OrchestraGerhardt Zimmermann, conductorLong Center for the Performing ArtsAustin, TexasFriday, February 21, 2014I guess it’s fate that a mere conductor in a violin competition should have his name left off the program; sad to say, that was indeed the case for Maestro Gerhardt Zimmermann at the Opening Concert of the Menuhin Competition Austin 2014. But it wasn’t quite as bad as all…

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by Paul E. RobinsonVaughan Williams: The Lark AscendingSchumann: Piano Concerto in a minor Op. 54Brahms: Symphony No. 2 in D major Op. 73Jessica Mathaes, violinJonathan Biss, pianoAustin Symphony Orchestra/Peter BayLong Center for the Performing ArtsAustin, TXFebruary 8, 2014I have been spending a lot of time lately with Jonathan Biss – not the man himself, but his website. Mr. Biss is a 33-year-old American pianist of great distinction who also writes well about music. Biss has been particularly eloquent on the subjects of Beethoven and Schumann. He is recording all the Beethoven sonatas and has written a book (Beethoven’s Shadow) about…

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Valery Gergiev recently wowed audiences in Montreal and Toronto with his Mariinsky Orchestra. He is also music director of the London Symphony. With the LSO last month at the Barbican in London he collaborated with violinist Janine Jansen in the Violin Concerto No. 1 by Karol Szymanowski (1883-1937). To judge by this video it was a beautiful performance of a neglected masterpiece. The work was composed in 1917 when Szymanowski was 34.Note that Gergiev appears to be using the shortest baton ever used by a major conductor. Why bother with any baton at all?Paul E. Robinson

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