Category: Violin | my/maSCENA

Browsing: Violin

CD Review | Elle (Analekta, 2022)

By Zenith Wolfe on 26 July 2022 CD and Book Reviews, Classical Music, Indigenous, Piano, Strings, Violin

Elle Angèle Dubeau, solo violin; Valérie Milot and Antoine Mallette-Chénier, harp; Lydia Etok and Nina Segalowitz, throat singing; La Pietà Analekta, 2022 Angèle Dubeau, solo violinist and conductor for the string ensemble La Pietà, has decided to use the ensemble’s 25th anniversary album, Elle, to showcase a variety of contemporary female composers. The result? A thrilling experience where the listeners never gets too comfortable with one style. Just as they come to understand the cool and brooding nature of Rebecca Dale’s Winter, for example, they’re surprised by the fiery Inuit throat singing of Katia Makdissi-Warren’s Mémoire. The album is filled with…

CD Review | Beethoven: Violin Sonatas Nos. 4, 9 & 10 (Analekta, 2021)

By Zenith Wolfe on 26 July 2022 CD and Book Reviews, Classical Music, Piano, Violin

Beethoven: Violin Sonatas Nos. 4, 9 & 10 Andrew Wan, violin; Charles Richard-Hamelin, piano Analekta, 2021 What more can be said about Beethoven’s music that hasn’t already been heard a thousand times? According to violinist Andrew Wan and pianist Charles Richard-Hamelin, quite a lot. This album is the third and final entry in the pair’s series of Beethoven violin sonatas, which began in 2018. Much like its predecessors, this album demonstrates the pair’s distinguishable technical prowess regarding the interweaving of string and piano melodies. The Allegro molto movement of Sonata No. 4 is by far the best example of this,…

CD Review | Bach and Bartok (Leaf music, 2022)

By Zenith Wolfe on 4 June 2022 CD and Book Reviews, Violin

Bach and Bartok Karl Stobbe, violin Leaf music, 2022 Juno Award winner and violin soloist Karl Stobbe has released the album Bach and Bartok to illustrate the profound influence of Bach’s sonatas on the world of classical music. In the first half of the album, Stobbe presents his rendition of Bach’s Sonata No. 3 in C Major for Solo Violin, BMV 1005, which is both serendipitously calm and dramatically tense. Listeners are often left longing for a resolving note, and when they finally reach it, they’re dragged back into a melody whose syncopations masterfully re-establish the anxiety of waiting. Listeners…

CD Review | John Williams: Violin Concerto No. 2 & Selected Film Themes

By Justin Bernard on 4 June 2022 CD and Book Reviews, Orchestral, Violin

John Williams: Violin Concerto No. 2 & Selected Film Themes John Williams, composer and conductor; Anne-Sophie Mutter, violin; Boston Symphony Orchestra Deutsche Grammophon, 2022 Having worked together on two occasions (for recordings issued in 2019 and 2020 on Deutsche Grammophon), John Williams and Anne-Sophie Mutter are no strangers to each other. And as all good things come in threes, here they are back again on the same label and sharing top billing for Williams’s violin concerto. The work opens on a rather brooding harp solo. Mutter’s violin appears almost timidly through a sombre mass of strings, a prelude to the…

Tara-Louise Montour and the OCM: the beauty of the revived tradition

By Nathalie de Han on 15 November 2021 Chamber Music, Contemporary, Indigenous, Violin

Have you heard Régent Levasseur’s enchanting Farewell to the Warriors? The Orchestre classique de Montréal (OCM) presents it as part of its 82nd season, titled Women of Distinction, with the remarkable 18-minute concerto for string orchestra, harp and drum, in an orchestration by the versatile melodist. Tara-Louise Montour recorded the piece with the Thunder Bay Symphony Orchestra and the work earned the ensemble a Juno nomination (2005). “I am delighted that the OCM invited me into the program of Tales and Melodies, the first concert of its season, and I think that Farewell to the Warriors will fit in perfectly, firstly because of…

Vadim Gluzman

The Lebrecht Weekly: Beethoven/Schnittke – Violin concertos (BIS)

By Norman Lebrecht on 18 June 2021 Lebrecht Weekly, Violin

In the early 1980s, the phenomenal Latvian violinist Gidon Kremer recorded for Philips an account of the Beethoven concerto that was almost universally reviled. It contained two cadenzas written at the soloist’s request by the Russian composer Alfred Schnittke, a self-styled polystylist who built some of his works from fragments of many others. Each of the cadenzas contained snippets of every major violin concerto from Bach to Berg, and the western music establishment recoiled as it if had been struck by a falling sputnik. The record was harshly reviewed and withdrawn by the label never to be physically reissued (though…

The Lebrecht Weekly: Elgar – Violin concerto/Violin sonata (Warner)

By Norman Lebrecht on 5 February 2021 Lebrecht Weekly, Violin

The first soloist I ever heard play Elgar was the French cellist Paul Tortelier at the Royal Festival Hall – elegant, expressive and chastely romantic, half an hour of unblemished beauty. I was a kid and that must have been 60 years ago. Since then I’ve heard maybe one other French cellist attempt an Elgar concerto, but never, until now, a violinist. Renaud Capucon is a revelation in many ways. He shifts the accent from phlegmatic to something more Gallic and the dynamics to a whispering tendresse. There is so much individuality in this account that I kept wondering why…

Ezinma: a classical route to the world of pop

By Jacqueline Vanasse on 28 January 2021 Violin

I met Ezinma as Meredith Ramsay almost 10 years ago, when we were violin students at the Mannes School of Music in New York. One day after school we were on the sidewalk, talking about the future. She told me she was not going to audition for orchestras. Rather, she was going to become a pop star of the violin. I remember thinking, “How is she going to do that? You cannot train as a classical musician and have a career in pop music.” But she did. The proof? Ezinma is featured on the cover of the January/February issue of…

The prix d’Europe: a force in Canadian musical life for 110 years

By Jacqueline Vanasse on 28 January 2021 Art Song, Music Competition, Piano, Violin

The Prix d’Europe will celebrate its 110th anniversary this year. Since its beginning, the scholarship offered by the Prix d’Europe has enabled winners to study abroad. The competition offers what might be called a sabbatical year for further development after musical studies and before embarking on a professional career. “We are always transformed by studying abroad,” comments Vincent Boucher, vice-president of the Académie de musique du Québec and organist at St. Joseph’s Oratory. “I think that the Prix d’Europe was an important cultural driving force in Quebec in the sense that a Quebec musician who went to Vienna or Paris…

Janna Sailor: “Music became my voice”

By La Scena Musicale on 27 January 2021 Canadian Music, Orchestral, Violin

Conductor Janna Sailor gave this speech at the Coalition for Music Education Youth4Music Leadership Symposium in Vancouver on April 1, 2017. My name is Janna Sailor, and I am the founder and artistic director of the Allegra Chamber Orchestra, an all-female ensemble dedicated to empowering women and their communities through music.   I am also a violinist performing with several orchestras in town, including the Vancouver Opera Orchestra, in addition to my own solo and chamber projects. This does not leave much free time, to say the least. Music has had a profound and transformative impact on me, and I…