Browsing: Strings

Elgar Conducts Elgar The Complete Recordings 1914-1925, Elgar: Symphony No. 2/Violin Concerto (Marie Hall)/Cello Concerto (Beatrice Harrison)/Sea Pictures (Leila Megane)/Cockaigne Overture/In the South Overture, etc. Symphony Orchestra/Royal Albert Hall Orchestra/Sir Edward Elgar Producer & Transfer/Restoration Engineer: Lani Spahr Music & Arts CD-1257(4)(296 m 2 s)For collectors this is a gold mine of historic recordings. For music lovers – not so much. These are recordings from the acoustical era, and Elgar went on to make much better-sounding recordings of nearly all the same pieces using the electrical microphone. Frankly, ploughing through many of these performances is almost painful. Given the primitive…

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Mela Dailey, soprano; Scott Kluksdahl, cello; Rick Rowley, pianoPierian 0047 (64 m 44 s)****Recital albums featuring young sopranos are not uncommon. But what makes this new release exceptional is the unusual choice of repertoire and the high quality of the performances.Who would have thought of putting together an album of contemporary music for soprano and cello? And who would have thought that the music for this combination could be of such high quality?Andre Previn’s Four Songs for Soprano, Cello and Piano of 1994 are settings of poems by Toni Morrison. These are beautiful songs, recalling Britten in their transparency, and…

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Valery Gergiev recently wowed audiences in Montreal and Toronto with his Mariinsky Orchestra. He is also music director of the London Symphony. With the LSO last month at the Barbican in London he collaborated with violinist Janine Jansen in the Violin Concerto No. 1 by Karol Szymanowski (1883-1937). To judge by this video it was a beautiful performance of a neglected masterpiece. The work was composed in 1917 when Szymanowski was 34.Note that Gergiev appears to be using the shortest baton ever used by a major conductor. Why bother with any baton at all?Paul E. Robinson

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The legendary chamber orchestra the Academy of St. Martin in the Fields made a surprising choice recently when it chose Joshua Bell to be its next music director. Bell had little or no experience as a conductor so how could he be the right man for the job that Sir Neville Marriner long held with such distinction?But the ASMF is a very special kind of chamber orchestra and Joshua Bell is a very special sort of musician. Like Bell Marriner was a violinist although he did not have an important career as a soloist. And for a time Marriner led…

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The St. Lawrence String Quartet is probably the finest quartet ever produced in Canada. It was founded in 1989, it is currently in residence at Stanford University and tours internationally. But the first violinist of the SLSQ, Geoff Nuttall, is also the director of chamber music at the Spoleto Festival USA. In just a few years he has made a great impact on the festival both for his programming and for his quirky and entertaining introductory comments (see this recent NY Times article: http://www.nytimes.com/2013/05/26/arts/music/geoff-nuttall-the-jon-stewart-of-chamber-music.html?pagewanted=allGeoff’s colleagues in the SLSQ are also in residence in Spoleto and they are joined by some of…

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Montreal Chamber Music Festival (MCMF/FMCM)The musical festival season opens with the MCMF. The 18th edition takes place from May 9 to June 1 at St. George’s Anglican Church. True to tradition, artistic director Denis Brott spares us no surprises. Performers include the Emerson and Fine Arts Quartets, the Swingle Singers, and pianists Jean-Philippe Collard and Oliver Jones, to name a few. This year’s four-hour marathon is dedicated to Tchaikovsky. www.festivalmontreal.org- Renée Banville Jules Massenet’s Manon at the Opéra de MontréalFor the final production of the 2012-13 season, the Opéra de Montréal presents Jules Massenet’s Manon. After an acclaimed performance of the…

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This past weekend the world lost one of its greatest cellists. Hungarian-born Janos Starker died at the age of 88 after a long and distinguished career as an orchestral player, soloist and teacher. He was a child prodigy who gave his first performance of the Dvorak Cello Concerto at age 14. His older brothers were murdered by the Nazis and Starker himself spent time in an internment camp.Starker came to the United States in 1948 to take up the position of principal cellist of the Dallas Symphony. In 1952 he took up the same position with the Chicago Symphony under…

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Virtuosos at the Chapelle Bon-PasteurOn April 8, Jonathan Crow and Andrew Wan, first violins at the OSM and TSO, recount the 20th- and 21st-century history of the violin duo. On April 12, the Ensemble Transmission invite percussionist François Rivalland for an evening of Aperghis, in which three young upcoming musicians will participate. www.ville.montreal.qc.ca/chapellebonpasteur – Renée BanvilleOpera de Montreal’s Atelier Lyric Performs a Menotti Double BillFor its annual production, the Atelier Lyric at the Opera de Montreal presents two one-act operas by Gian Carlo Menotti: The Old Maid and the Thief and Amahl and the Night Visitors. Musical direction is provided…

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One of the greatest musical experiences of my life was seeing Andres Segovia (1893-1987) sitting alone on the stage of Massey Hall in Toronto, playing to a packed house. The sound of an unamplified classical guitar is very small but it filled the hall that night, and every note was a miracle of musicianship and artistry. No one before or since made the guitar sound so expressive. But more than that Segovia conveyed to his listeners the very soul of music. It was unforgettable.In this video you can see Segovia in his prime and marvel at the artistry. How did he…

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Canadian violinist James Ehnes is no longer “an exciting young talent” but an international star. He plays regularly with the world’s leading orchestras and conductors and his recordings invariably receive the highest praise. One of his most recent recordings in which he plays both Bartok Violin Concertos and the Viola Concerto (Chandos 10690) has had rave reviews.In this video Ehnes plays Bach’s Preludio and Gigue from Bach’s Partita No. 3 for Unaccompanied Violin. The performance was recorded in the studios of radio station WQXR in New York.Paul E. Robinson

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