Browsing: Classical Music

24/07/2017 – Following the announcement (and fast selling out) of sessions with Chris Watson (founder of Cabaret Voltaire, and sound recordist for David Attenborough), Laraaji (celebrated ambient musician, best known for his work with Brian Eno) and Eli Keszler (NYC virtuoso percussionist, composer and installation artist), CAMP have announced a rare masterclass in modern composition with Gavin Bryars. Bryars is without a doubt one of the most world’s celebrated living composers. He emerged in the early sixties, playing bass with improvisers Derek Bailey and Tony Oxley, and by the late 60’s he was working with John Cage, Cornelius Cardew and…

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This fall, Grammy and ECHO Klassik Award-winning conductor Fabio Luisi launches his second season as the new Principal Conductor of the Danish National Symphony Orchestra (DNSO), and his sixth as General Director of Zurich Opera, which was named Best Opera Company at the 2014 International Opera Awards. In Copenhagen he opens the season with Mahler’s Eighth Symphony, and subsequent concerts throughout the season include Nielsen’s Fifth Symphony paired with Hans Werner Henze’s Second Violin Concerto; Franz Schmidt’s oratorio Das Buch mit sieben Siegeln; and concerts featuring Beethoven’s Fifth and Seventh Symphonies. He also acts as Jury Chairman for the DNSO’s Malko Competition for Young Conductors. At Zurich…

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REVIEW: Richard Strauss’ Ariadne auf Naxos in a new production at the Berkshire Opera Festival. It’s a backstage story as only Richard Strauss and his invaluable and (more or less) constant collaborator Hugo von Hofmannsthal could tell it. The Berkshire Opera Festival, now in its second season, is offering a vibrant and thoroughly engrossing production of Richard Strauss’ unique 1916 melding of the sublime and the ridiculous – Ariadne auf Naxos – now at the Colonial Theatre in Pittsfield, Massachusetts, through Friday, September 1 (performances August 26, August 29 and September 1, all at 7:30 p.m.; viewed here opening night,…

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Modern composers, when they die, go into limbo for about a decade before their reputation settles. It has been five years since Henze left us and I miss bumping into his music, on the radio, at festivals, anywhere. It has all gone rather quiet. Which may account for my excessive pleasure at encountering these otherworldly pieces, rich in references to a forgotten age and its leisurely pace. The Kammermusik, for tenor, guitar and eight instruments, is dedicated to Benjamin Britten in thanks for introducing Henze to the guitarist Julian Bream. But although Henze quotes a Britten phrase and dabbles wistfully…

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Montreal, August 23, 2017 – Ensemble contemporain de Montréal (ECM+) is pleased to announce that the jury has selected the winners of its biennial composition contest: Sophie Dupuis (N.-B., Ont.), Patrick Giguère (Qc/UK), James O’Callaghan (B.-C./Qc) and Thierry Tidrow (Ont./ DE) will take part in the Generation2018 adventure starting next February. With more than 60 high-level applications from Canadian composers, aged 35 and under from all over the country, the final choice has proved quite challenging for the jury comprising renowned professionals from the Canadian new music community: Gabriel Dharmoo (Composer and Performer, Montreal), Gordon Fitzell (Composer and Professor at University…

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Would you be willing to spend a sweltering summer evening listening to a youth orchestra in a venue with no air-conditioning? The hundreds who did avail themselves of such an opportunity on August 4 at the resplendent Chapelle Notre Dame de Bon Secours in old Montreal were delighted with the experience. The 2017 edition of l’Orchestre de la Francophonie marshalled its forces for a final time to perform a diverse programme- the Haydn Trumpet Concerto, Le Boeuf sur le toit by Darius Milhaud, and Mahler’s 4th Symphony. Since its inception in 2001, this orchestra has provided enrichment for accomplished young…

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The US composer Bunita Marcus worked for seven years with Morton Feldman and subsequently accused him, after his death, of sexual abuse. Feldman wrote this piece as an act of homage to Marcus. It begins with what appears to be a visit by an extremely unhurried piano tuner and proceeds by its own logic into a sound world where time and motion lose all meaning. It lasts for 72 minutes and 38 seconds and unless it has succeeded in transcending such mundane measurements the experience will probably feel like eternity. The pianist Marc-André Hamelin reports that “the first time I…

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-A free, all-ages opera for the community, weekends in September-  TORONTO, ON: Canada’s leading contemporary opera company, Tapestry Opera, in conjunction with the Toronto Arts Council and the Todmorden Mills Heritage Site, is pleased to announce the world premiere of Bandits in the Valley. Set in 1860s Toronto, Bandits in the Valley tells the story of a local bandit group, aided by a troupe of travelling Gilbert & Sullivan players, who attempt to steal a mysterious object from a wealthy citizen’s home in the Don Valley. Six performers will make their way through the site singing and playing a variety…

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One of the great delights of today’s viewer technology is sitting in your living room, a cup of chocolate in your hand, and, before you, a vibrant, young orchestra, a brilliant and famous conductor, and a dozen notable first-class singers embarked…eroticism…genius – in other words, Salome. Thanks to Medici.tv’s ample coverage of significant classical music events across the globe, we can attend landmark performances, live and in replay. The live concert performance appears on screen straight from the world-famous Verbier Festival in the Swiss Alps thanks to Medici.tv, the premier music live-streaming instrument for viewers. All I had to do…

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Now here’s a surprise. A new release from Opera Rara usually consists of some bel canto work that has languished forgotten in a vault since its premiere 160 years ago, and usually for good reason (as becomes apparent when you’re halfway through the unreviewable second disc). This package, though, is different: a pair of debut releases by two fast-rising singers, soprano and tenor, mingling well-known arias with the fairly obscure. El-Khoury, a Lebanese-Canadian, sticks mostly to well-trodden tracks, albeit with interesting variations. The Berlioz setting of a Freischütz piece is new to me, as is anything from Hérold’s Le Pré aux clercs, which turns out…

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