Browsing: Classical Music

Orchestre symphonique de Montréal The Orchestre symphonique de Montréal (OSM) will start its season with Mahler’s Symphony no. 8, “Symphony of the Thousand,” a large-scale work gathering more than 350 instrumentalists and singers on stage (September 19 & 21). In addition, Russian music will hold a special place during the fall. Russian-born conductor Vasily Petrenko will present an all-Russian music concert in October (October 11, 14, and 15), and pianist Charles Richard-Hamelin will complete the evenings with a concerto by Prokofiev. On November 11, the St. Petersburg Mariinksy Orchestra will present a concert in Montreal under the baton of renowned…

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By now you’ve probably heard the story of André Mathieu (1929–68). A child prodigy hailed as Canada’s Mozart, Mathieu lived a tragic life and died in obscurity. It was not until the twenty-first century that many were able to experience his music, due in no small part to the tireless work of Québécois pianist-composer Alain Lefèvre. Now, in time for the 75th anniversary of the work, Lefèvre is releasing a new recording of the Piano Concerto No. 3, known commonly as the “Concerto de Québec.” The Concerto de Québec — which Lefèvre recorded himself in 2003 with Yoav Talmi and…

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Once again, the contemporary music scene in Montreal promises a season full of concerts and new music experiences. Whether as sophisticated regulars of contemporary music, fans of instrumental or mixed music, or even intrigued by the exploding scene of digital music and sound installations, Montreal’s artistic community will fulfill your desires as cosmopolitan music lovers. Here is an overview of several events to schedule on your calendar. La Société de musique contemporaine du Québec For its 52nd season, the Société de musique contemporaine du Québec (SMCQ) [Quebec Contemporary Music Society] presents a colourful program with diverse influences. This year, the…

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Part I Although no longer at their apogee, in the 1960s the two great sopranos of the time, Maria Callas and Renata Tebaldi, were still burning up the stage, and I had the great good fortune to see them. Thanks to their recordings, I had heard them when they were at the height of their careers. These memorable records, beloved by fans, divided the latter into two rival camps. At the time, I counted among my friends Georges Nicholson (for Callas) and Michel Beaulac (for Tebaldi). Each stoutly defended his idol’s merits, Nicholson being proud of Callas’ strong sense of…

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Julie Boulianne, mezzo-soprano; Clavecin en Concert; Luc Beauséjour Analekta AN2 8780, 59 min. Canadian singer Julie Boulianne has quickly become an international star. She performs regularly at the Met, at the Royal Opera House, Covent Garden and throughout Europe. She has an extraordinarily wide repertoire from Bach to Adès. In her latest recording she shows us what she can do in Vivaldi and Handel. For this CD she is joined by long-time collaborators, harpsichordist Luc Beauséjour and his small period instrument group, Ensemble Clavecin en Concert. Much of the music is pretty obscure but it is performed with enthusiasm and…

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The first half of the 2017-18 season offers an ample selection for Early and Baroque Music lovers. Here are our must-see concerts. Arte Musica The distinguished ensemble, Les Arts Florissants, in collaboration with the Club musical de Québec, will present Mantova, the second chapter of a trilogy devoted to the madrigals of Monteverdi. Conducted by Paul Agnew, the group will perform excerpts from Books IV, V, and VI, which embody the composer’s mature period. The ensemble will take the stage at Palais Montcalm on October 3, and at Bourgie Hall on October 4. www.mbam.qc.ca Under its new musical director, Jonathan…

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This year, the Montreal landscape will be particularly animated by the creations of operas, thanks to the dedication of the ECM + and Chants Libres. The Opéra de Montréal’s programming will take part in this celebration with two Montreal creations, which will give the young artists of its Atelier Lyrique the chance to take part. In the rest of Canada, Edmonton will receive Lilies, historical events in Toronto will inspire the creation of a new work and Vancouver will give a new life to a classic. Bandits in the Valley Tapestry Opera, one of Canada’s leading contemporary opera companies, will…

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Tosca and La Cenerentola The Opéra de Montréal launches its season with the tragic story of the diva Floria Tosca, by Puccini, from September 16 to 23. Melody Moore, the American soprano who played Madame Butterfly in 2015, portrays the soprano who lets herself become manipulated by Baron Scarpia, the chief of police, played by Canadian baritone Gregory Dahl. Chilean tenor Giancarlo Monsalve will debut in his interpretation of the role of the painter Cavaradossi, Tosca’s lover. Canadian baritone Patrick Malette, former member of the Atelier lyrique de l’Opéra de Montréal, will take on the role of the fugitive, Angelotti.…

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Jean-Philippe Sylvestre, piano; Orchestre Métropolitain; Alain Trudel, conductor ATMA Classique ACD22763, 54 min 32 s. Quebec child prodigy André Mathieu is paired with Russian giant of the piano repertoire Rachmaninov in this live recording made during the 2017 Festival Classica. There have always been comparisons between the two composers, but with the scattering of blues harmonies amid the late-Romantic language in the Concerto de Québec, you can hear the relationship between Mathieu and Gershwin as well. Mathieu had a great amount of raw talent, but was unable to refine his style; this much is made clear by the juxtaposition on…

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Zosha di Castri, Jocelyn Murlock, Nicole Lizée, John Estacio, Erin Wall, soprano; Martha Henry, narrator; Monique Mojica, actor; NAC orchestra; Alexander Shelley Analekta AN 2 8870, 73 min 25 s. This recording is the “soundtrack” for the multi-media work Life Reflected, which had its premiere at the National Arts Centre May 19, 2016. It was a highly ambitious and worthwhile project that brought together four newly-commissioned pieces by Canadian composers – three of them women – under the overall direction of the NAC’s conductor Alexander Shelley and creative producer and director Donna Feore. Each of the pieces was based on…

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