Browsing: Contemporary

It’s back! And it promises to be as big and bold as ever. It’s Music and Beyond, Ottawa’s summer music and arts festival which—every July since its inception in 2010—has blossomed across the capital in a gloriously scatter-cast profusion of musical sounds, styles and intriguing interdisciplinary programming. “The public is ready to return,” says Julian Armour, the festival’s plucky and indefatigable founder and artistic and executive director. “We’re doing a big festival! We’re going to do about 64 different major concerts.” It’s a bracing and welcome assertion of renewal, after the scaled-back famine years of global pandemic. Rock and a…

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Author : (Eva Stone-Barney)

MONTREAL/QUEBEC Centre Culturel de Pointe-Claire In an effort to make cultural programming accessible to its residents, and breathe life into public park spaces, the Centre Culturel de Pointe-Claire will present a series of free concerts as part of their Summer Evenings in the Parks / Summer Beats in the Parks Festival. Running from June 28 to Aug. 16, the festival will consist of 10 concerts in parks across the city. Starting at Stewart Park on June 28, audiences are invited to a concert of world music titled Paul Kunigis: Yallah. Performances of blues, Latin jazz, world jazz, and Brazilian percussion…

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This summer, composer and Piazzolla quintet pianist Pablo Ziegler is bringing experimental Argentine tango to Ottawa. On July 4, Ziegler will host the Opening Gala: Homage to Piazzolla concert for his third Music and Beyond season. It’s his first time as the festival’s gala performer, and his first time back since the start of the pandemic. But he’s kept busy with international performances in the meantime. During lockdowns, Ziegler and his wife Masae Shiwa started experimenting as a piano duo before visiting Japan, Brazil, and Argentina for duet concerts, with New York lined up later this year. Their concert at…

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Valentin Silvestrov: Silent Songs Hélène Grimaud, piano; Konstantin Krimmel, baritone Deutsche Grammophon, 2023 This new CD from Deutsche Grammophon features the Five Songs and some of the Eleven Songs by Valentin Silvestrov, one of Ukraine’s leading composers. Initially an exponent of the so-called Kiev Avant-Garde, which developed around the 1960s, Silvestrov has known greater success in the style he himself refers to as “meta-music”—metaphorical music. In Silvestrov’s writing, a touching lyricism of Mahlerian inspiration and contemporary colours coexist: the language of this style is universal and precisely meant as an instrument from which the listener can give his own meaning…

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Did anyone know that Pablo Casals had a kid brother who wrote him a concerto? Enrique Casals, 16 years younger, was a violinist and conductor. His cello concerto came to light three years ago and the enterprising Jan Vogler has made a captivating world premiere recording of it on Sony. It was sitting on my deck destined to be named album of the week when, as so often happens, an unforeseen astonishment dropped through the letterbox and took pride of place. Let’s not get all wokey and egalitarian about this: the best is, always and forever, the enemy of even the…

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Hearing new SMCQ artistic director Ana Sokolovic talk about the 2023 Montreal/New Musics (MNM) festival, it’s hard not to get excited. “I joke that the only problem with this festival is that it is in Montreal. It’s because when we go to the festivals very often it’s not in our city, and then we go to spend the entire time in that city. And we’re seeing absolutely everything,” she said. “Everything is happening during the events—during the concerts, but also in between the concerts. During the lunch, during the supper, during the cocktail, having this opportunity to talk with people…

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It has been a while since we last heard soprano Pauline Vaillancourt singing in Montreal. In fact, it was back in 2000 when she shared the stage with actor Jean Maheux in L’Enfant des glaces, an “electr’opera” that she designed and staged (music by Zack Settel, libretto by Quevedo and de Nerval). It was the ninth production of Chants Libres, the lyric-creation company of which the singer is artistic director. To get a chance to hear Vaillancourt sing, you’d have to go to Europe, since it is there that she has been working with the Italian composer Maurizio Squillante. She…

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Montreal, January 26, 2023 – The Société de musique contemporaine du Québec (SMCQ) resents the complete program of the Montreal/New Musics international festival (MNM). This 11th edition will take place from February 23 to March 5, 2023, with the theme “Music and Spirituality”. The public is invited to hear the musical creations of some of the most innovative and passionate composers and performers on the local, national and international scenes. SMCQ Artistic Director Ana Sokolović notes, “Since the dawn of humanity, music has accompanied spirituality, which is addressed in our festival in a broad and open way by evoking the…

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Composer José Evangelista passed away on Jan. 10, 2023. As a tribute to him, we republish our interview and article about his legacy from our October 2017 issue bellow. José Evangelista – Composer in Constant Evolution by Adrian Rodriguez, October 10, 2017 José Evangelista is a composer who perfectly represents the cultural diversity and historical background of Canada and Montreal. In the early 1970s Evangelista was, like many Spaniards of his generation, in search of a better quality of life and trying to escape the Spanish dictatorship of Francisco Franco. Coming to Canada,he says, was not a straight line. “It…

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During gaps between COVID shutdowns, when small performances were possible, musicians turned with much ingenuity to chamber symphonies, a neglected genre midway between a Brahms sextet and a Strauss tone poem. Shostakovich, in point of fact, never wrote a chamber symphony; but the violist and conductor Rudolf Barshai expanded some of his string quartets for his Moscow Chamber Orchestra, and the first piano concerto is essentially conceived in miniature, for string orchestra, piano and trumpet. The intense performances on this album took place in a Saarbrücken studio amid full COVID precautions. The eighth quartet opens at a sepulchral pace, so…

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