Browsing: Canadian Music

The Canadian Opera Company (COC) held their annual vocal competition, the COC Ensemble Studio Competition, on November 3, 2016 at the Four Seasons Centre for the Performing Arts in Toronto. There were seven contestants this year who participated: sopranos Andrea Lett, Andrea Nunez, Maria Lacey, and Myriam Leblanc, mezzo Simone McIntosh, and baritones Geoffrey Schellenberg and Samuel Chan. There are two parts to the competition, a private part for a small audience of COC donors and members of the media and a public part for anyone who purchased a ticket. The First Prize went to mezzo Simone McIntosh from Vancouver; the Second Prize…

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Jean-Michel Dubé is the youngest in a family of five children, four of whom are pianists. At the age of three, he started studying piano at home with his mother who was herself a pianist. At age seven, he entered the Conservatoire de musique de Québec. In 2015, he was awarded the grand prize at the Concours Hélène-Roberge, which allowed him to record, with the help of Espace XXI and Aramusique, the works of André Mathieu. Mathieu’s complete piano works have never been recorded before, making this disc a world premiere. How did you arrive to André Mathieu’s work? The idea…

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By popular demand, La Scena Musicale is happy to bring back the Canadians Abroad feature section, where we will keep tabs on your favourite Canucks as they make their mark around the world. If you have any leads about Canadians abroad or wish for us to include a particular artist or ensemble in an upcoming issue, please send an email to [email protected]. Yannick Nézet-Séguin Montreal-born maestro Yannick Nézet-Séguin begins the month in Munich guest conducting the Bavarian Radio Symphony Orchestra in a program of Beethoven’s Symphony No. 2, Mendelssohn’s Symphony No. 4 “Italian,” and Bartók’s Violin Concerto No. 1 with…

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Valérie Milot defines herself as a musician first and a harpist second. At age 31, she is nothing less than the most visible and active ambassador of the harp that Quebec has seen in recent history. She is the soloist-in-residence for Montreal’s Orchestre Métropolitain for the 2016–17 season. Music is important in the Milot family. They even play it together. “My father was a great lover of classical music,” she says. “He played several instruments, including classical guitar. We, his three children, took introductory music classes before we even went to school. It was part of our family life: we…

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Readers, know this: like all of our issues, the magazine that you hold in your hands is the result of a small miracle produced by a very small team. For twenty years, while many publications have unfortunately shut their doors, or exist now only in digital form, La Scena Musicale stayed the course, despite the well-known issues facing print media, be it readers’ changing habits or lower advertising revenues, among other problems. Each of our issues was the result of the efforts of true enthusiasts, a persistent band of people who devote their time and perseverance so that the classical…

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Keri-Lynn Wilson: Congratulations to the marvellous La Scena Musicale for the last twenty years of your extraordinary publication. The musical world is extremely enriched by your passionate reporting on arts in Quebec. Thank you for being an indispensable resource for sharing the musical experience outside of the symphony hall, the opera stage, or the jazz club and for inspiring a new public to participate in current events. With La Scena Musicale, the arts have a future! Bravo! Stéphane Tétreault: It is with great pleasure and pride that I support La Scena Musicale. For two decades, La Scena Musicale provides invaluable…

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Last night was the first performance of the OSM’s concert celebrating 50 years of the Montreal metro system, which first welcomed passengers in October 1966. To commemorate the occasion, the OSM and the STM co-commissioned two new works: José Evagelista’s orchestral piece Accelerando, and Robert Normandeau’s electroacoustic work Tunnel Azur. While this concert marks more than one historic premiere – Tunnel Azur is the first electroacoustic piece ever to be commissioned by the OSM and to be presented at the Maison Symphonique (read LSM’s article on the new work here) – the main question on Montreal music lovers’ minds seems to be,…

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For the first time in its history, the Orchestre symphonique de Montréal will showcase a piece in which the musicians won’t play a single note. Tunnel Azur is an acousmatic composition created by Robert Normandeau on commission by the OSM and the STM. The ten minute long Tunnel Azur celebrates, and is entirely inspired by, the 50-year history of the Montréal metro. “With permission from the STM, I had the privilege to go and record the sounds of the metro at night, afterhours. It is a universe that nobody knows, because the metro is closed at night,” says Normandeau. “I…

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This month, Brian Current will experience something many composers would envy: the premiere and recording of one of his major works by the Montreal Symphony Orchestra. The $50,000 Azrieli Prize enabled him to compose The Seven Heavenly Halls for solo tenor, choir and orchestra. The composer talked to La Scena Musicale about this work and his career. Like many musicians, Brian Current first learned piano as a child. “I was lucky my parents were so persistent and constantly got me to practice, even when I didn’t want to,” he says. “My parents weren’t musicians by profession, but they sang in…

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The 2017–18 season is shaping up to be a milestone for new opera productions by Canadian companies. In celebration of the country’s 150th birthday, several works with Canadian themes will get their world premieres in Calgary, Montreal, and Toronto. Furthermore, Vancouver Opera has a watershed season with the inaugural year of the Vancouver Opera Festival. If you missed its triumphant opening run in Montreal last spring, Opéra de Montreal’s production of Les Feluettes (Lilies) travels to Pacific Opera Victoria this April. The Lost Operas of Mozart City Opera of Vancouver, 27 to 29 October, 2016 It’s a little-known fact that…

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