Browsing: Violin

by Ian Cochrane Marc began his musical training under the tutelage of a parent — his father Philippe. Djokic senior gave violin lessons in the family’s Halifax home. At the time Marc took up the violin, it had not been his ­intention to pursue a career in music. However, as he humbly muses, “Once a person experiences success, they tend to stick with it.”arc Djokic, in his early thirties, is already an eminent violin soloist. The latest feather in his cap is his winning the 2017 Prix Goyer, the most prestigious award for classical music in Canada. The Prix Goyer…

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Noa Wildschut, Mozart Yoram Ish-Hurwitz, Gordan Nikolić, Netherlands Chamber Orchestra Warner I’m about to break an iron rule and review a kid playing the violin. And, no, I haven’t given in to peer pressure, though there has been plenty of it from the London agency that signed her at 15, and the record label that followed up. The kid’s 16 now, old enough to take a bit of criticism and interesting enough to warrant adult consideration. Noa Wildschut first appeared on Dutch television at six years old and at the Concertgebouw a year later. The child of two string players…

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Musica Camerata kicked off its 48th season with an evening of quartets for piano, violin, viola, and cello. Respected as a premiere Canadian chamber ensemble, Musica Camerata is justifiably proud of its longevity. The concert was held in the resplendent Chapelle historique du Bon-Pasteur where the parterre seating area is usually hydraulically raised to provide theatre style seating. The roughly 100 attendees filled this venue. From this reviewer’s vantage point in the balcony, the acoustics were a little dry for a chamber string ensemble. The instrumentalists on this program were Luis Grinhauz (violin), Victor Fournelle-Blain (viola), Bruno Tobon (cello), and…

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*Very limited seats remaining!* September 14, 2017, Montreal, QC – The MCO, under its Artistic Director Boris Brott, opens its 78th season with Revolution, an eclectic evening of music from the 60s and 70s, including Shostakovich, The Beatles, and Frank Zappa, in conjunction with the Montreal Museum of Fine Art’s boisterous current exhibition, “You Say You Want a Revolution.” The MCO performs a new work based on songs from the iconic Beatles album Sgt. Pepper’s Lonely Hearts Club Band, in newly-minted arrangements by François Vallières. Infamous Canadian fiddler Ashley Maclsaac will then join the MCO to transport the public into his eccentric sonorities.…

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Montréal, Tuesday, September 12, 2017 – The CMIM (Concours musical international de Montréal) is extremely pleased to announce that pianist and composer Alain Lefèvre will act as honorary patron of its annual event. Attracting some of the world’s most promising young singers, pianists and violinists, the CMIM’s next edition will be held from May 27 to June 7 and is dedicated to Voice. A world-renowned virtuoso pianist, Alain Lefèvre has performed in over forty countries in prestigious venues and with the world’s leading conductors and symphony orchestras. He has won numerous prizes, amongst them a Juno, an Opus and ten…

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On 9 September, 2017, 44 contestants arrived in Budapest for the Bartók World Competition and Festival.  In accordance with the official drawing lots, the Preliminary round started with Competitor No.47, the Japanese Tategami Mai. Already on the opening day of the event series organised by the Liszt Academy, a wide range of extraordinary musical and historical treats awaited the audience. As the President of the Liszt Academy, Dr Andrea Vigh highlighted in her welcome address ” Bartók’s roots are at the Liszt Academy since this institution was his alma mater. This Festival is therefore closely connected to Bartók’s many faces:…

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Imagine attending an entire year of recitals at Carnegie Hall or Der Musikverein. At either concert hall you will no doubt encounter the pianists András Schiff, Barry Douglas, Richard Goode, Evgeny Kissin, Yefim Bronfman, Daniil Trifonov or Yuja Wang. Your listening path would also include at least one of the leading violin virtuosi of our time, perhaps Joshua Bell, Leonidas Kavakos or Janine Jansen. You may also add to your annual subscription the experience of hearing Pablo Ferrandez, George Li, or Daniel Lozakovich, three rising stars of their generation. And, as an opera lover your radar will meet Esa-Pekka Salonen…

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July 24, 2017 – It is with bittersweet excitement that the Regina Symphony Orchestra (RSO) wishes to announce the impending departure of RSO concertmaster, Simon MacDonald.  Simon has accepted a prestigious position as the Department Head for Strings at the Victoria Conservatory of Music (VCM), and will complete his position as concertmaster as of July 31, 2017. For the past three seasons, Simon has been a valuable member and leader in the RSO family. In his role as concertmaster, he has made a significant contribution artistically and within the organization. He inspired his colleagues – both on stage and off stage -…

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Any new recording of the Walton concerto will always be measured against Jascha Heifetz, who commissioned the work in 1935, edited the solo part and gave the first performances, throwing down a challenge to all others to do it better, or different. Ida Haendel and Yehudi Menuhin were able to soften the granitic contours but few others have suggested that there is more to the piece than the mighty Heifetz mined out of it. Now along comes Anthony Marwood and turns our ears around. From first utterance, he finds an expansive, Elgarian colour to the piece, a breadth of phrase…

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Never heard of Carbonelli? Don’t feel too bad about it. The Vivaldi scholar Michael Talbot writes that he ‘has remained unknown, even to specialists’. Listen to the music, though, and you will wonder how work of such quality and intricacy could vanish so comprehensively into the mists of history. Carbonelli was a star violinist in London during Handel’s time. Born in Livorno in 1694 and possibly half-French, he becomes concertmaster at Drury Lane Theatre at the age of 25 and a much sought-after soloist. The Duke of Rutland paid for the publication of 12 sonatas and Carbonelli seemed well set…

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